Starting tomorrow, I’m launching seven days of BIG announcements. Keep your eyes out for info related to my upcoming pole and floor programs, instructor development opportunities, my new scholarship program (!), epic guest instructors and FREE stuff.
Announcements will be on my Flow Movement Facebook page and here, in this blog.
It's winter here in the Northern Hemisphere. This means people don't spend as much time outside. But, regardless of season, being outside is an important part of avoiding the winter blues, a.k.a., "SAD" (seasonal affective disorder). You know how winter can be de-motivating and glum? You don't want to move because you're cold, or it's dark?
During daylight, GO OUTSIDE. I'm using all caps not to yell, but to state my enthusiasm over this incredibly simple principle that most of us have forgotten.
I find that a few minutes outside leaves me focused and de-stressed. My postural muscles wake up. As a result, I work more effectively when I go back inside.
Did you know there's a magazine dedicated to bringing together the world's best and most passionate movers? Mover Magazine is a fitness magazine of a different kind—and I’m the January cover feature!
Each day during the Floor Flow® Teacher Training we start with a class. On the second day of a recent training, we built a little combo that included this move, the passe rock. In this video, you can see how I explained the details as we all moved together. Once this piece was solid, we combined it with some other pieces—and made a looping sequence. I do my best to keep people moving as they learn something. Sure, sometimes I need to ask everyone to pause and watch to really capture the details—but I really love to find ways to teach sequences, inch by inch, while keeping people moving. This way you'll have time to let go of extra tension and follow your breath--rather than stress about remembering things.
I haven’t told many people this….but, I’m on my last pole tour right now. Since 2011, I’ve spent between 5-10 months a year traveling the world teaching and judging, and it’s coming to an end.
I’ve taught now in 42 countries (and visited plenty more). This still blows my mind. Because videos of me dancing have been seen around the world, I was asked to go to these places. I am absolutely humbled. People all over the world welcomed and took care of me. For the rest of my life, I will retain that following the thought “I should get a pole” was one of the best little decisions I ever made.
I had just finished seven days of all-day teaching. After so much energy output, I always feel like I need to move for myself to recharge and reset. Becoming a couch vegetable does not work for me. I need foam roller time, floor time or nature time.
We were in a uniquely black dance studio and Ken put his camera on a tripod. We took turns doing some easy, full-song freestyles. He told me that the footage was super dark (which surprised me since the overhead lights were on), and that I was almost always in the far side of the frame (which is typical of me)
I’ve been to the Catacombs of Paris museum twice. When it comes to cities, my favorite type of tourism is dark tourism. I like to see where the dreadful went down. And visiting a place that housed 7 million diseased bodies is pretty surreal. On the tour you learn that in fact these tunnels run all throughout Paris. Where there are buildings, there are underground reinforcements to prevent collapses. They don’t tell you about the illegal underground parties, war bunkers, breweries, movie rooms and communities. But they exist…
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
