In case I haven't told you in person, I'll tell you here. Boulder is bomb. I am really excited about all the events happening there this year, Mile High Pole Camp...........and POLE THEATRE! MRBRPR has put together this very cool Boulder guide page. Check out all of the spots I recommend to eat, pole, flow and roam.
Photo taken from inside a cave that we reached by climbing down a mountain, crossing a ravine, then going up another mountain. Matera, Italy is incredible.
Photo by Pole Ninja Photography
POLE NINJA PHOTOGRAPHY put together an incredible multimedia recap of our adventures in Romania.
My most recent tour included a few spots I’ve dreamed of for a long time. One of the most memorable was the Dead Sea. It truly exceeded my expectations. I'd heard things like, “It doesn’t look like much," so I was expecting a big muddy lake/sea that you float really well in.
But WHOA. The colors of the place were divine. The air was perfect. Not only did I float, I felt like a baby seal --I ’ve never been so slimy, in a good way. For days after, my skin felt like I was 4 years old.
Plus, there was no one else there. We first went in Israel and said, “We have to go back.” So we did, in Jordan. And this time, I was prepared for a shoot.
I’ve been to the Catacombs of Paris museum twice. When it comes to cities, my favorite type of tourism is dark tourism. I like to see where the dreadful went down. And visiting a place that housed 7 million diseased bodies is pretty surreal. On the tour you learn that in fact these tunnels run all throughout Paris. Where there are buildings, there are underground reinforcements to prevent collapses. They don’t tell you about the illegal underground parties, war bunkers, breweries, movie rooms and communities. But they exist…
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
A few days ago we drove from Austria to Slovenia. We passed a beautiful lake and decided to take a photo. I didn't have the right outfit so I settled for a piece of red silk. I carefully walked into icy the water and waited to get the shot set-up. This is when I learned that silk floats and is water repellant (at least this silk is...). The result looks like I'm sitting on glass.
The best museum in the world hosts countless physical challenges. From climbing to crawling, and sliding to balance challenges, the City Museum, St Louis, MO is one of my favorite places in the entire world. Really. It is an interactive art exhibit/fantasy world with 50's memorabilia and insect collections. It's housed in a giant repurposed old building that forces you to explore numerous primal movement patterns just to get around. IT IS THE BEST.
For only a few days a year the trees in mountainous Colorado turn yellow. For a few minutes, I too turned yellow.
Thank you, Pole Ninja Photography and Cherry Li Photography for these photos. : )
If you're interested in booking a photo shoot with Pole Ninja Photography or for commercial shoot inquiries, you can contact him via MRBRPR.
It's Day 1 of the FIRST ever Floor Flow Teacher Training and I'm like....
AHHHH!!!!! weeeee!!!! wwoooohoooo!!!!
When the guard disappears you must move quickly! Handstand in the Teatro Farnese. Wearing my black bamboo Flow Movement pants (as always) that permit random acts of awesome anytime anywhere.
Photo by Pole Ninja Photography.
I’ve learned a lot of things during my years on the road—and many of them stem from adaptability. Often, I need to have a little self-talk about accepting and embracing my circumstances. I know that if I’m caught up on my lack of "comforts," I’ll miss out on the details of the life around me. This practice of acceptance also leads to creativity.
POLE NINJA PHOTOGRAPHY put together an incredible multimedia recap of our adventures in Romania.
My most recent tour included a few spots I’ve dreamed of for a long time. One of the most memorable was the Dead Sea. It truly exceeded my expectations. I'd heard things like, “It doesn’t look like much," so I was expecting a big muddy lake/sea that you float really well in.
But WHOA. The colors of the place were divine. The air was perfect. Not only did I float, I felt like a baby seal --I ’ve never been so slimy, in a good way. For days after, my skin felt like I was 4 years old.
Plus, there was no one else there. We first went in Israel and said, “We have to go back.” So we did, in Jordan. And this time, I was prepared for a shoot.
I’ve been to the Catacombs of Paris museum twice. When it comes to cities, my favorite type of tourism is dark tourism. I like to see where the dreadful went down. And visiting a place that housed 7 million diseased bodies is pretty surreal. On the tour you learn that in fact these tunnels run all throughout Paris. Where there are buildings, there are underground reinforcements to prevent collapses. They don’t tell you about the illegal underground parties, war bunkers, breweries, movie rooms and communities. But they exist…
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
A few days ago we drove from Austria to Slovenia. We passed a beautiful lake and decided to take a photo. I didn't have the right outfit so I settled for a piece of red silk. I carefully walked into icy the water and waited to get the shot set-up. This is when I learned that silk floats and is water repellant (at least this silk is...). The result looks like I'm sitting on glass.
The best museum in the world hosts countless physical challenges. From climbing to crawling, and sliding to balance challenges, the City Museum, St Louis, MO is one of my favorite places in the entire world. Really. It is an interactive art exhibit/fantasy world with 50's memorabilia and insect collections. It's housed in a giant repurposed old building that forces you to explore numerous primal movement patterns just to get around. IT IS THE BEST.
For only a few days a year the trees in mountainous Colorado turn yellow. For a few minutes, I too turned yellow.
Thank you, Pole Ninja Photography and Cherry Li Photography for these photos. : )
If you're interested in booking a photo shoot with Pole Ninja Photography or for commercial shoot inquiries, you can contact him via MRBRPR.
It's Day 1 of the FIRST ever Floor Flow Teacher Training and I'm like....
AHHHH!!!!! weeeee!!!! wwoooohoooo!!!!
I’ve been asked many times what one needs to do to be a fluid mover. In response, I often ask, “Well, what is fluidity to you?” Some think of improvisation. Most say seamless, never stopping motion. Almost no one says “control over weight-transfer,” though this is a major element of flow. Movement can be dynamic, have pauses, and even staccato elements but still be "in flow" -- it’s how you change between elements. Definition aside, fluidity is mostly determined by 1) experience, and 2) what is or isn’t going on in your head.
WHAT STOPS US FROM FLOWING?
Lack of familiarity with the movements/rhythms/goal
Lack of comfort/confidence
Mental disposition/personality
Results rather than process oriented mindset
Negative, questioning self-talk, fear
Anything that you allow to stop yourself
For many people, the very process of "tuning in" turns up the volume of the voice of resistance. The voice of resistance? It’s not a political movement, it’s the "nah-ah" voice in your head. If you are asked to pay attention to your sensations either in stillness or in movement and then have a little internal dialogue of“I don’t like this," “I don’t know what to do,” or “I look stupid,” then you are dealing with resistance. It may show up as self-doubt, self-judgment, or a straight-up NO/Negative-Nancy attitude.
Resistance may also appear as bodily tension, restrained breath, wandering thoughts (such as “I need to respond to that email”), and even fatigue. For some, being asked to take time to quiet their mind and focus on their breath makes their heart race -- they become tense as they think of every possible reason they need to leave the room.
Being present in your body (i.e., your life) can quickly reveal anxiety, which is ultimately a fear of uncertainty, or a fear of losing something that has been held onto.
Reality Check:
We all will experience negative internal dialogue while moving -- some less than others -- but it happens. While it is easy to look at a proficient mover and assume they never have self-doubt, this is not true at all. The trained "flow-er" knows how to turn negative thoughts into a breath so deep that the thought can no longer be heard. Remember, proficiency requires practice. A great mover will still be a beginner when doing something new. New situations inherently create uneasiness; it’s how you handle it that matters.
Stress and anxiety happen when you anticipate a negative outcome, like this puppy below, scared at first to go down a set of stairs:
Anxiety and flowing do not mesh.
When you fully commit your attention to your movement session, there is no such thing as a negative outcome. You will learn something about yourself 100% of the time. If you are scared of learning something you don’t like, the beautiful thing is we can’t change it until we are aware of it. Remember, if you feel on the verge of a breakdown, you are also on the verge of a breakthrough.
Look at this little flow master, no anxiety here:
The above blog is an excerpt from the forthcoming Floor Flow® Level 1 Teacher Training manual. The trainings launch this June in the United States, with international dates pending. More info HERE.
“I don’t do balls,” I used to say.
Like many other dancers I knew growing up, I formed an identity around being a dancer with no interest in activities involving balls, pucks, paddles, etc. (unless I was dancing with it).
In high school, I almost failed P.E. class because I flat-out refused to participate in any sports activity. As a result, in later years, whenever someone would throw me a ball I’d duck away rather than catch it, or if I did attempt a catch, it would be in a stiff and panicky state. It was embarrassing.
Ki’ilani (seen in the video) changed my relationship with catching. She loves balls more than anyone I’ve ever met. Every trip to a large store includes a visit to the sports aisle to feel balls. She even keeps a ball in her pocket for comfort tossing. One of our quarantine activities has been ‘dance catch.’
Have you ever bought any digital tutorials or courses? Or saved videos on Instagram, Facebook, or YouTube?
Chances are you grabbed them because wanted to remember and LEARN the material.
But, did work through them?
How has it been integrating what you learned into your dancing/living/teaching?
Or, are the videos collecting digital dust...waiting for you to give them a chance?
If you have gathered materials, especially if you PAID for those materials, but haven’t given them the attention you intended, how about getting out your calendar RIGHT NOW and booking yourself some self-learning time?
If you look at any beginner movement class, you'll see widely-varying degrees of bodily awareness. However, regardless of how someone moves, with a little bit of cueing, anyone can feel if they are in contact with the floor or not.
You don’t need skill or imagination to sense your contact with the floor. You may not be paying attention to it most of the time, but it doesn't require anatomical awareness to grasp what 'weight-bearing' is or to notice which of your parts have the most pressure.
Weight bearing is a constant thing (unless you are temporarily airborne, space traveling, or swimming, you are bearing weight, somehow).
Yet, the details of rolling contacts are rarely zeroed in on outside of higher-level movement environments. But...they could be.
The first is called ‘Bodyfulness’ by Boulder author Christine Caldwell. It’s swelling with information for or anyone who’s ready to look at the how and why of how they move. The author founded the Somatic Counseling program at Naropa University and has been in practice for more than thirty years.
She says:
“The body isn’t a thing we have but an experience we are. Bodyfulness is about working toward our potential as a whole human animal that breathes as well as thinks, moves as well as sits still, takes action as well as considers, and exists not because it thinks but because it dances, stretches, bounces, gazes, focuses, and attunes to others.“
Have you been to a dance class that was supposed to be beginner-appropriate or all-levels, but the class progressed in a way that made you want to disappear?
Maybe you had fun the first few minutes when the sequence was short, but then the instructor moved on, and on, and on. With rapidly dwindling confidence, you were left stumbling in the wake of an ever-growing sequence. Perhaps physically you could have done it all, but you needed more time to really 'get it'. It was just too much to remember.
I've been there. In classes and in auditions, I've been there.
You can only stumble around, a count behind everyone else, for so long before you want to shrivel into the corner and become unseen.
When you’re new to a style or form (or even just with a new teacher), learning a lengthy complex piece of choreography (maybe alongside people much younger or more skilled than you) is daunting and often
disheartening. Based on what I've observed, the amount of choreography delivered in many dance classes leaves a LOT of people behind.
In my opinion, if you are still trying to remember the choreo during the last minutes of class, you're missing out on the joy of dancing, the part where the movement starts to carry you and you can transcend who you were when you arrived.
My message is this:
If you flow with a gourd of your choice between now and Nov 5, I’ll send you a code for $5 off any event or video.
How:
Get busy with you pumpkin and catch it on video.
Post at least 15 seconds on FB or IG and tag #pumpkinflow and @flowmovement
Send us a message on either platform with the link to your video and we will send you your discount code.
Yesterday, I witnessed a group movement experience that I was SO glad I was not a part of.
After a month away and a week of living the truck driver life, I got a month-long pass to a nearby gym. It’s primarily a rock-climbing gym, but they have a weight room upstairs.
This particular gym runs some group conditioning classes inside of the weight room. While I was gleefully doing irreverent things on the back extension bench, a voice came over the loudspeaker letting everyone know that “Body Blast with Mr. Blasty Blast” [ok, not his real name] was starting soon. I thought, “Oh nice, I’ll get to see if I would ever want to join the class.” Consensus:
OH NO, I WILL NOT FUCKING EVER. (Unless you pay me. I’d consider it if money were involved.)
This video makes my heart sing. Watching it takes me back to the Amazon, a place I never expected to visit, and to the top of the forest, a place I never expected to stand. But also, it reminds me how thankful I am to have adventure after adventure, and especially for who I get to share them with. Thank you for incessantly documenting our life, Pole Ninja Photography.
If you want to learn more about our Amazonian adventure, here's an interview with our tour guide, Ralph.
I’ve learned a lot of things during my years on the road—and many of them stem from adaptability. Often, I need to have a little self-talk about accepting and embracing my circumstances. I know that if I’m caught up on my lack of "comforts," I’ll miss out on the details of the life around me. This practice of acceptance also leads to creativity.
POLE NINJA PHOTOGRAPHY put together an incredible multimedia recap of our adventures in Romania.
My most recent tour included a few spots I’ve dreamed of for a long time. One of the most memorable was the Dead Sea. It truly exceeded my expectations. I'd heard things like, “It doesn’t look like much," so I was expecting a big muddy lake/sea that you float really well in.
But WHOA. The colors of the place were divine. The air was perfect. Not only did I float, I felt like a baby seal --I ’ve never been so slimy, in a good way. For days after, my skin felt like I was 4 years old.
Plus, there was no one else there. We first went in Israel and said, “We have to go back.” So we did, in Jordan. And this time, I was prepared for a shoot.
I’ve been to the Catacombs of Paris museum twice. When it comes to cities, my favorite type of tourism is dark tourism. I like to see where the dreadful went down. And visiting a place that housed 7 million diseased bodies is pretty surreal. On the tour you learn that in fact these tunnels run all throughout Paris. Where there are buildings, there are underground reinforcements to prevent collapses. They don’t tell you about the illegal underground parties, war bunkers, breweries, movie rooms and communities. But they exist…
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
A few days ago we drove from Austria to Slovenia. We passed a beautiful lake and decided to take a photo. I didn't have the right outfit so I settled for a piece of red silk. I carefully walked into icy the water and waited to get the shot set-up. This is when I learned that silk floats and is water repellant (at least this silk is...). The result looks like I'm sitting on glass.
The best museum in the world hosts countless physical challenges. From climbing to crawling, and sliding to balance challenges, the City Museum, St Louis, MO is one of my favorite places in the entire world. Really. It is an interactive art exhibit/fantasy world with 50's memorabilia and insect collections. It's housed in a giant repurposed old building that forces you to explore numerous primal movement patterns just to get around. IT IS THE BEST.
For only a few days a year the trees in mountainous Colorado turn yellow. For a few minutes, I too turned yellow.
Thank you, Pole Ninja Photography and Cherry Li Photography for these photos. : )
If you're interested in booking a photo shoot with Pole Ninja Photography or for commercial shoot inquiries, you can contact him via MRBRPR.
It's Day 1 of the FIRST ever Floor Flow Teacher Training and I'm like....
AHHHH!!!!! weeeee!!!! wwoooohoooo!!!!
That time I danced with red heart balloons in NYC...Shot in Greenpoint, Brooklyn. When we were done with them we tied them to a sign. I hope they made someone's day.
Image magic by Pole Ninja Photography. Assistance from MRBRPR.
The sit-to-stand test received a lot of publicity in 2014. If you missed it, a Brazilian Study found that the ability to get off the floor without hands was a major predictor of longevity (as in, your life will probably be shorter if you struggle to get off the floor.)
Luckily, it's becoming common knowledge that if we sit (or remain in one position) for hours on end each day, our muscular system stops working for us the way it should. Here's the thing: difficulties in getting up from the floor or even a chair are not limited to older populations; it's a young people problem too, and that's scary.
Do you ever catch yourself placing a hand on your thigh to get off the floor? Do you use the armrests of your chair to stand? Do you sit by falling, and rise with a heave-ho? If you answered yes (recent injuries aside), you are not using your musculoskeletal system optimally.
Here is a video of a young woman performing the traditional test:
First, find a song you love. Then lay down, flat on your back. Slowly come to stand without using your hands or knees on the floor. After you stand, find your way back down with total control, still without your arms. You can move them in space, but you cannot use them to push off the floor or place them your own body to rise. Find as many ways as possible to do this challenge. Gradually, increase your speed to make things interesting…but NO HANDS.
Post an an edited video on Instagram (you have 60 seconds now for videos, so no holding back!) or Facebook of your favorite ‘get up with no hands and no knees’ flow for a chance to win a free bundle of Flow Movement® videos. Make sure to tag both #flowmovement and #fmsit2stand so we see your video. We'll pick a winner for May on May 31, 2016.
Here are two of my favorite no hands ways to get up:
“I don’t do balls,” I used to say.
Like many other dancers I knew growing up, I formed an identity around being a dancer with no interest in activities involving balls, pucks, paddles, etc. (unless I was dancing with it).
In high school, I almost failed P.E. class because I flat-out refused to participate in any sports activity. As a result, in later years, whenever someone would throw me a ball I’d duck away rather than catch it, or if I did attempt a catch, it would be in a stiff and panicky state. It was embarrassing.
Ki’ilani (seen in the video) changed my relationship with catching. She loves balls more than anyone I’ve ever met. Every trip to a large store includes a visit to the sports aisle to feel balls. She even keeps a ball in her pocket for comfort tossing. One of our quarantine activities has been ‘dance catch.’
Have you ever bought any digital tutorials or courses? Or saved videos on Instagram, Facebook, or YouTube?
Chances are you grabbed them because wanted to remember and LEARN the material.
But, did work through them?
How has it been integrating what you learned into your dancing/living/teaching?
Or, are the videos collecting digital dust...waiting for you to give them a chance?
If you have gathered materials, especially if you PAID for those materials, but haven’t given them the attention you intended, how about getting out your calendar RIGHT NOW and booking yourself some self-learning time?
If you look at any beginner movement class, you'll see widely-varying degrees of bodily awareness. However, regardless of how someone moves, with a little bit of cueing, anyone can feel if they are in contact with the floor or not.
You don’t need skill or imagination to sense your contact with the floor. You may not be paying attention to it most of the time, but it doesn't require anatomical awareness to grasp what 'weight-bearing' is or to notice which of your parts have the most pressure.
Weight bearing is a constant thing (unless you are temporarily airborne, space traveling, or swimming, you are bearing weight, somehow).
Yet, the details of rolling contacts are rarely zeroed in on outside of higher-level movement environments. But...they could be.
The first is called ‘Bodyfulness’ by Boulder author Christine Caldwell. It’s swelling with information for or anyone who’s ready to look at the how and why of how they move. The author founded the Somatic Counseling program at Naropa University and has been in practice for more than thirty years.
She says:
“The body isn’t a thing we have but an experience we are. Bodyfulness is about working toward our potential as a whole human animal that breathes as well as thinks, moves as well as sits still, takes action as well as considers, and exists not because it thinks but because it dances, stretches, bounces, gazes, focuses, and attunes to others.“
Have you been to a dance class that was supposed to be beginner-appropriate or all-levels, but the class progressed in a way that made you want to disappear?
Maybe you had fun the first few minutes when the sequence was short, but then the instructor moved on, and on, and on. With rapidly dwindling confidence, you were left stumbling in the wake of an ever-growing sequence. Perhaps physically you could have done it all, but you needed more time to really 'get it'. It was just too much to remember.
I've been there. In classes and in auditions, I've been there.
You can only stumble around, a count behind everyone else, for so long before you want to shrivel into the corner and become unseen.
When you’re new to a style or form (or even just with a new teacher), learning a lengthy complex piece of choreography (maybe alongside people much younger or more skilled than you) is daunting and often
disheartening. Based on what I've observed, the amount of choreography delivered in many dance classes leaves a LOT of people behind.
In my opinion, if you are still trying to remember the choreo during the last minutes of class, you're missing out on the joy of dancing, the part where the movement starts to carry you and you can transcend who you were when you arrived.
My message is this:
If you flow with a gourd of your choice between now and Nov 5, I’ll send you a code for $5 off any event or video.
How:
Get busy with you pumpkin and catch it on video.
Post at least 15 seconds on FB or IG and tag #pumpkinflow and @flowmovement
Send us a message on either platform with the link to your video and we will send you your discount code.
Yesterday, I witnessed a group movement experience that I was SO glad I was not a part of.
After a month away and a week of living the truck driver life, I got a month-long pass to a nearby gym. It’s primarily a rock-climbing gym, but they have a weight room upstairs.
This particular gym runs some group conditioning classes inside of the weight room. While I was gleefully doing irreverent things on the back extension bench, a voice came over the loudspeaker letting everyone know that “Body Blast with Mr. Blasty Blast” [ok, not his real name] was starting soon. I thought, “Oh nice, I’ll get to see if I would ever want to join the class.” Consensus:
OH NO, I WILL NOT FUCKING EVER. (Unless you pay me. I’d consider it if money were involved.)
When shopping for destinations for our South America tour, I learned there is a train graveyard near the Salt Flats in Bolivia. But then the reviews said that there were tons of tourists and garbage everywhere, and it sucked. Not true for us. We were practically the only ones there, and no garbage. Most importantly, no one told us we couldn't climb and explore.
It was actually really cool.
We had 30 minutes to set up, snap, and get out; this is what we managed.
Photos by Pole Ninja Photography.
I’ve learned a lot of things during my years on the road—and many of them stem from adaptability. Often, I need to have a little self-talk about accepting and embracing my circumstances. I know that if I’m caught up on my lack of "comforts," I’ll miss out on the details of the life around me. This practice of acceptance also leads to creativity.
POLE NINJA PHOTOGRAPHY put together an incredible multimedia recap of our adventures in Romania.
My most recent tour included a few spots I’ve dreamed of for a long time. One of the most memorable was the Dead Sea. It truly exceeded my expectations. I'd heard things like, “It doesn’t look like much," so I was expecting a big muddy lake/sea that you float really well in.
But WHOA. The colors of the place were divine. The air was perfect. Not only did I float, I felt like a baby seal --I ’ve never been so slimy, in a good way. For days after, my skin felt like I was 4 years old.
Plus, there was no one else there. We first went in Israel and said, “We have to go back.” So we did, in Jordan. And this time, I was prepared for a shoot.
I’ve been to the Catacombs of Paris museum twice. When it comes to cities, my favorite type of tourism is dark tourism. I like to see where the dreadful went down. And visiting a place that housed 7 million diseased bodies is pretty surreal. On the tour you learn that in fact these tunnels run all throughout Paris. Where there are buildings, there are underground reinforcements to prevent collapses. They don’t tell you about the illegal underground parties, war bunkers, breweries, movie rooms and communities. But they exist…
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
A few days ago we drove from Austria to Slovenia. We passed a beautiful lake and decided to take a photo. I didn't have the right outfit so I settled for a piece of red silk. I carefully walked into icy the water and waited to get the shot set-up. This is when I learned that silk floats and is water repellant (at least this silk is...). The result looks like I'm sitting on glass.
The best museum in the world hosts countless physical challenges. From climbing to crawling, and sliding to balance challenges, the City Museum, St Louis, MO is one of my favorite places in the entire world. Really. It is an interactive art exhibit/fantasy world with 50's memorabilia and insect collections. It's housed in a giant repurposed old building that forces you to explore numerous primal movement patterns just to get around. IT IS THE BEST.
For only a few days a year the trees in mountainous Colorado turn yellow. For a few minutes, I too turned yellow.
Thank you, Pole Ninja Photography and Cherry Li Photography for these photos. : )
If you're interested in booking a photo shoot with Pole Ninja Photography or for commercial shoot inquiries, you can contact him via MRBRPR.
It's Day 1 of the FIRST ever Floor Flow Teacher Training and I'm like....
AHHHH!!!!! weeeee!!!! wwoooohoooo!!!!
I’ve learned a lot of things during my years on the road—and many of them stem from adaptability. Often, I need to have a little self-talk about accepting and embracing my circumstances. I know that if I’m caught up on my lack of "comforts," I’ll miss out on the details of the life around me. This practice of acceptance also leads to creativity.