I feel so fancy! I have been featured on the internet wellness mecca Well+Good. Thank you for opening your pages to Flow Movement.
Boulder, Colorado (May 2015)
A hike in Boulder, Colorado.
Pants by Flow Movement.
Wobbly rock play on all fours.
Good morning Flatirons, thank you for being part of my backyard.
This was fun. slippery dirt and downhill square splits. A true adductor test.
As much as I love interacting with a smooth clean floor, playing in dirt and rocks teaches things that the studio cannot.
Challenges bring me joy. Well, the challenges nature presents.
A Wall Stretch: 12 Minutes in Shoulder Opening Heaven
For this series of neck, chest, and shoulder opening stretches, we will use the wall to increase our spine and shoulder awareness. After 12 minutes of delicious articulations and closed-chain movements your shoulders will sing.
Exercises in general are things we do to improve at something, to ingrain habits. There are strength exercises, team-building exercises, breath exercises etc. We can exorcise the demons, but that's a bit different. When it comes to physical (ya know, body stuff) exercises, they are categorized in many ways. One of the most basic categorizations is closed chain vs. open chain.
In closed chain movements, the free limb (hand or foot) is fixed to an immobile surface (like a wall or floor). For clarity, being fixed to a floor or wall is a choice, not a terrible super glue prank. If I stand on two feet, my feet are fixed to the floor. Open chain movements are the opposite; the hand or foot moves about freely. Standing and reaching upwards is open chain. A downward facing dog is closed chain.
When it comes to flexibility training, we want to include both closed and open chain stretches into our routine. They not only feel different; the results are different.
As I often say, awareness and breath are imperative to improving our alignment and flexibility. After all, if we are unaware of our patterns how can we change them?
We need feedback, and not just from another set of eyes. This is the power of using the wall or the floor. By having something to push against, we feel and know more about what we are experiencing.
When it comes to the shoulders, closed chain movements that challenge our ROM are a powerful way to increase awareness, alignment, and function. The shoulder joint is comprised of three bones and four joints. If your shoulder is tight, we want to not only get those bones moving well, we want the supporting musculature to be active. And guess what, when we push into something, muscles are happy to come to the party.
Under the increased tension of a closed chain exercise, the joint is not only getting signals about its safety, we are inclined to breathe deeper.
Closed chain movements also encourage multiple joints to move synergistically to achieve a desired movement. We run into a lot of problems when we try to get more "shoulder flexibility" by isolating the movement of the arm. In my experience, adhesions (sticky spots/scar tissue/muscle demons) and sub-optimal movement patterns are harder to work through in open chain movements.
So...as you perform this new video, "A Wall Stretch: 12 Minutes in Shoulder Opening Heaven," PUSH into the wall, spread your fingers wide, and breathe fully. Oh, and smile more than I do in the video. Apparently filming videos is very serious stuff.
The Galang Crew
Look! The super dope and charitable Galang Crew of Sweden is wearing matching tribal Flow pants for their latest video. I love their grooves and their cause...check it out!
Use the Code GALANGCREW for 20% off apparel and a portion of all proceeds will support the SOS Children's Project in Tambacounda, Senegal, a project close the Galang Crew's heart, and part of the group's #dancersagainstracism.
"Dance and music is universal and can link people together regardless of colour and race; when I dance I'm at my best. Its' my biggest love and the passion for it drives me through life no matter what I'm going through."
-Sara Galan
About GALANG CREW:
The Galang Crew is a crew with a focus on Dancehall/Hip Hop/Afrobeats. The dancers' styles range from hip hop, modern, jazz, and were all hand-selected by founder and choreographer, Sara Galan, to blend together to a colorful mix of energetic dancers spreading love and anti-racism messages through dance.
Sara Galan is a multi-styled dancer who has trained in New York, Europe, and Africa in dancehall, hip hop, house, and African traditional style including Sabar (Senegal) and djembe (Guinee Conakry). She is best known for her variety in Afrobeat styles such as Ndombolo, coupe decale, Azonto, and Kuduro Angolano. Galan was recently nominated as Artist of the Year 2015 at The African Diaspora Awards. In March 2015, Galang Crew Afrobeat videos featuring the songs "Hold Me Now" and "Ukwa" by Nigerian artist, Timaya, went viral.
Galan is also the founder of #DancersAgainstRacism, launched in 2014, to raise a voice against racism. Now in its second year, dancers and non-dancers all over the world participate in the movement via use of the hashtag and by participating in Galan's donation-based workshops to support different organizations she has hand-picked.
Handstands
I remember watching someone press a handstand and thinking I would never be able to. I tried anyway. I remember eventually holding a straddle handstand after a press and realizing that holding your legs together was way more challenging. Now, most of the time, my straight body handstand is there for me. Sometimes for a little while, sometimes for longer. But I have the power to control it. As I focus my eyes in the position, I smile. I remember the process.
Scuba Floral Cuff Pants by Flow Movement.
I remember watching someone press a handstand and thinking I would never be able to. I tried anyway. I remember eventually holding a straddle handstand after a press and realizing that holding your legs together was way more challenging. Now, most of the time, my straight body handstand is there for me. Sometimes for a little while, sometimes for longer. But I have the power to control it. As I focus my eyes in the position, I smile. I remember the process.Scuba Floral Cuff Pants by Flow Movement.www.flowmovement.net/shop
Posted by Flow Movement on Wednesday, April 29, 2015
Floor Flow
Planning content for a Floor Flow class in NYC last month...
Pants by Flow Movement. Floor Flow tutorials now available for purchase....
Planning content for a Floor Flow class in NYC last month...Pants by Flow Movement. Floor Flow tutorials now available for purchase: www.flowmovement.net/shop#flowmovement #thepantsmademedoit
Posted by Flow Movement on Saturday, April 25, 2015
City Museum, St. Louis, Missouri (April 2015)
Today I sat on the worlds largest pencil, squeezed in the smallest tunnels I've been in since birth and was just overall amazed. City Museum, St Louis, MO is one of the coolest places on earth. Definitely the first museum where I was warned, "you may get injured."
I’ve learned a lot of things during my years on the road—and many of them stem from adaptability. Often, I need to have a little self-talk about accepting and embracing my circumstances. I know that if I’m caught up on my lack of "comforts," I’ll miss out on the details of the life around me. This practice of acceptance also leads to creativity.
POLE NINJA PHOTOGRAPHY put together an incredible multimedia recap of our adventures in Romania.
My most recent tour included a few spots I’ve dreamed of for a long time. One of the most memorable was the Dead Sea. It truly exceeded my expectations. I'd heard things like, “It doesn’t look like much," so I was expecting a big muddy lake/sea that you float really well in.
But WHOA. The colors of the place were divine. The air was perfect. Not only did I float, I felt like a baby seal --I ’ve never been so slimy, in a good way. For days after, my skin felt like I was 4 years old.
Plus, there was no one else there. We first went in Israel and said, “We have to go back.” So we did, in Jordan. And this time, I was prepared for a shoot.
I’ve been to the Catacombs of Paris museum twice. When it comes to cities, my favorite type of tourism is dark tourism. I like to see where the dreadful went down. And visiting a place that housed 7 million diseased bodies is pretty surreal. On the tour you learn that in fact these tunnels run all throughout Paris. Where there are buildings, there are underground reinforcements to prevent collapses. They don’t tell you about the illegal underground parties, war bunkers, breweries, movie rooms and communities. But they exist…
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
A few days ago we drove from Austria to Slovenia. We passed a beautiful lake and decided to take a photo. I didn't have the right outfit so I settled for a piece of red silk. I carefully walked into icy the water and waited to get the shot set-up. This is when I learned that silk floats and is water repellant (at least this silk is...). The result looks like I'm sitting on glass.
The best museum in the world hosts countless physical challenges. From climbing to crawling, and sliding to balance challenges, the City Museum, St Louis, MO is one of my favorite places in the entire world. Really. It is an interactive art exhibit/fantasy world with 50's memorabilia and insect collections. It's housed in a giant repurposed old building that forces you to explore numerous primal movement patterns just to get around. IT IS THE BEST.
For only a few days a year the trees in mountainous Colorado turn yellow. For a few minutes, I too turned yellow.
Thank you, Pole Ninja Photography and Cherry Li Photography for these photos. : )
If you're interested in booking a photo shoot with Pole Ninja Photography or for commercial shoot inquiries, you can contact him via MRBRPR.
It's Day 1 of the FIRST ever Floor Flow Teacher Training and I'm like....
AHHHH!!!!! weeeee!!!! wwoooohoooo!!!!
On the last day in Milos, I asked to go to the beach again. We hadn't planned on shooting, but the scene between these water-carved rock hallways was too good.
Photo by Pole Ninja Photography.
Here I am reading in Italian... Floor Flow style. This room made of several tons of recycled paper is part of a very cool exhibition in Milan (Hangar Biocca).
In case I haven't told you in person, I'll tell you here. Boulder is bomb. I am really excited about all the events happening there this year, Mile High Pole Camp...........and POLE THEATRE! MRBRPR has put together this very cool Boulder guide page. Check out all of the spots I recommend to eat, pole, flow and roam.
“I don’t do balls,” I used to say.
Like many other dancers I knew growing up, I formed an identity around being a dancer with no interest in activities involving balls, pucks, paddles, etc. (unless I was dancing with it).
In high school, I almost failed P.E. class because I flat-out refused to participate in any sports activity. As a result, in later years, whenever someone would throw me a ball I’d duck away rather than catch it, or if I did attempt a catch, it would be in a stiff and panicky state. It was embarrassing.
Ki’ilani (seen in the video) changed my relationship with catching. She loves balls more than anyone I’ve ever met. Every trip to a large store includes a visit to the sports aisle to feel balls. She even keeps a ball in her pocket for comfort tossing. One of our quarantine activities has been ‘dance catch.’
Have you ever bought any digital tutorials or courses? Or saved videos on Instagram, Facebook, or YouTube?
Chances are you grabbed them because wanted to remember and LEARN the material.
But, did work through them?
How has it been integrating what you learned into your dancing/living/teaching?
Or, are the videos collecting digital dust...waiting for you to give them a chance?
If you have gathered materials, especially if you PAID for those materials, but haven’t given them the attention you intended, how about getting out your calendar RIGHT NOW and booking yourself some self-learning time?
If you look at any beginner movement class, you'll see widely-varying degrees of bodily awareness. However, regardless of how someone moves, with a little bit of cueing, anyone can feel if they are in contact with the floor or not.
You don’t need skill or imagination to sense your contact with the floor. You may not be paying attention to it most of the time, but it doesn't require anatomical awareness to grasp what 'weight-bearing' is or to notice which of your parts have the most pressure.
Weight bearing is a constant thing (unless you are temporarily airborne, space traveling, or swimming, you are bearing weight, somehow).
Yet, the details of rolling contacts are rarely zeroed in on outside of higher-level movement environments. But...they could be.
The first is called ‘Bodyfulness’ by Boulder author Christine Caldwell. It’s swelling with information for or anyone who’s ready to look at the how and why of how they move. The author founded the Somatic Counseling program at Naropa University and has been in practice for more than thirty years.
She says:
“The body isn’t a thing we have but an experience we are. Bodyfulness is about working toward our potential as a whole human animal that breathes as well as thinks, moves as well as sits still, takes action as well as considers, and exists not because it thinks but because it dances, stretches, bounces, gazes, focuses, and attunes to others.“
Have you been to a dance class that was supposed to be beginner-appropriate or all-levels, but the class progressed in a way that made you want to disappear?
Maybe you had fun the first few minutes when the sequence was short, but then the instructor moved on, and on, and on. With rapidly dwindling confidence, you were left stumbling in the wake of an ever-growing sequence. Perhaps physically you could have done it all, but you needed more time to really 'get it'. It was just too much to remember.
I've been there. In classes and in auditions, I've been there.
You can only stumble around, a count behind everyone else, for so long before you want to shrivel into the corner and become unseen.
When you’re new to a style or form (or even just with a new teacher), learning a lengthy complex piece of choreography (maybe alongside people much younger or more skilled than you) is daunting and often
disheartening. Based on what I've observed, the amount of choreography delivered in many dance classes leaves a LOT of people behind.
In my opinion, if you are still trying to remember the choreo during the last minutes of class, you're missing out on the joy of dancing, the part where the movement starts to carry you and you can transcend who you were when you arrived.
My message is this:
Pumpkin Flow Giveaway:
If you flow with a gourd of your choice between now and Nov 5, I’ll send you a code for $5 off any event or video.
How:
Get busy with you pumpkin and catch it on video.
Post at least 15 seconds on FB or IG and tag #pumpkinflow and @flowmovement
Send us a message on either platform with the link to your video and we will send you your discount code.
Yesterday, I witnessed a group movement experience that I was SO glad I was not a part of.
After a month away and a week of living the truck driver life, I got a month-long pass to a nearby gym. It’s primarily a rock-climbing gym, but they have a weight room upstairs.
This particular gym runs some group conditioning classes inside of the weight room. While I was gleefully doing irreverent things on the back extension bench, a voice came over the loudspeaker letting everyone know that “Body Blast with Mr. Blasty Blast” [ok, not his real name] was starting soon. I thought, “Oh nice, I’ll get to see if I would ever want to join the class.” Consensus:
OH NO, I WILL NOT FUCKING EVER. (Unless you pay me. I’d consider it if money were involved.)
Have you ever noticed how much a dose of movement impacts your mood?
If you've been sitting down all day and you go outside for a walk, you are likely to feel better. I know I do. However, if you go to a practice session with unreasonably lofty expectations ('I'm gonna do this hard thing I saw and it'll be perfect, just like that Instagram video'), you probably won't leave feeling like a winner. And if you're not skilled at overriding and reframing your own nay-saying... you might not walk away feeling vibrant.
You've likely heard of the research which confirms that exercise is mood boosting (it's usually accompanied by a stock image of people in bright-colors faux-grinning on a jog). While movement does provoke chemical changes that make you feel nice, your approach can amplify the positive after-effects or knock them right out of you.
Did you know I spent decades of my life *wishing* I had the courage to be fully IN my dance?
Until my mid-twenties, I did the majority of my ‘dancing’ as a student in dance classes. As I learned and reviewed, I pushed myself, but I arely felt the dance was emanating from my body in a truthful way.
In an attempt to feel more connected to my movement, I would remind myself of how much I love to dance. I would repeat versions of the phrase, "You want this, you live for this, don’t let this opportunity slip by."
Pillows. In our culture, they’re viewed as necessary bed-time equipment. Along with sheets and blankets, pillows are so strongly associated with sleep that the idea of foregoing one seems unrefined or ‘strange’ to many people.
This post is intended to raise awareness about how pillow use-habits can contribute to neck pain, shoulder pain, back pain, tension, etc., and offer some DIY solutions.
We all want to move better, feel better, and get injured less easily, right? Well, looking at how you sleep might make a difference in how you’re moving and feeling the rest of the time.
A cue is a prompt or direction about what to do. We’re exposed to cues about movement all the time in the form of signs such as, “Please keep right,” or “DANGER: DO NOT WALK ON THE ICE."
Do you think they meant alternative forms of locomotion are okay? Or did they mean, “Stay off the ice?”
I’m reallllly into cues. Why? Because the right words have the power to make something you’ve done thousands of times feel totally new. The right phrase can transform your understanding, help you drop a bad habit, or even release some emotional baggage.
Here are 7 ideas to help you become a better cuer. Even if you have no intention of teaching, these exercises are guaranteed to make you more aware of your movement:
Just after hopping off the plane in Seattle I met up with my friend Dr. Ryan DeBell. I've attended his seminar and followed his Movement Fix work for sometime, so it was an honor to share some of my work with him and his audience. Check out what we talked about:
I made something! Look!
Massive gratitude to Carla Tracy, MRBRPR and Kenneth Kao/ Pole Ninja Photography for being part of the creative team.
I’ve learned a lot of things during my years on the road—and many of them stem from adaptability. Often, I need to have a little self-talk about accepting and embracing my circumstances. I know that if I’m caught up on my lack of "comforts," I’ll miss out on the details of the life around me. This practice of acceptance also leads to creativity.
On my recent trip to Miami, I met up with Mover Magazine at sunrise on South Beach. I am so impressed with what they captured. Thank you!
A few weeks ago, I made my way to Costa Rica for Envision Festival. I honestly had no idea what I was in for. I hadn’t heard of most of the DJs, was not familiar with the movement teachers or lecturers, and I didn’t know anyone attending. I knew I would be in a tent, but didn’t think much what that would mean logistically.
I quickly discovered that I had all the wrong clothes (What I had was way too hot. Pants? No. I basically should have planned for bikinis+decorations). It took about 10 minutes to realize I would be dirtier and sweatier than I’ve ever been in my life. I don’t mean dirty in a “I’ve been exercising all day” way—I was legitimately rolling and stomping in dirt from dawn till midnight. More often than not, the shower was out of water when I found an opportunity to try. But everyone else was just as dirty, and it was great.
When’s the last time you took a long walk without carrying anything?
We’re almost always heading somewhere (close by), with something (bags, phones, beverages).
My suggestion, for hearty dose of self-love is…. go on a GAIT DATE!
What’s a gait date? It’s a walk where you focus on HOW you’re walking. It can be done alone, or with a buddy/lover.
It's winter here in the Northern Hemisphere. This means people don't spend as much time outside. But, regardless of season, being outside is an important part of avoiding the winter blues, a.k.a., "SAD" (seasonal affective disorder). You know how winter can be de-motivating and glum? You don't want to move because you're cold, or it's dark?
During daylight, GO OUTSIDE. I'm using all caps not to yell, but to state my enthusiasm over this incredibly simple principle that most of us have forgotten.
I find that a few minutes outside leaves me focused and de-stressed. My postural muscles wake up. As a result, I work more effectively when I go back inside.
Did you know there's a magazine dedicated to bringing together the world's best and most passionate movers? Mover Magazine is a fitness magazine of a different kind—and I’m the January cover feature!
Each day during the Floor Flow® Teacher Training we start with a class. On the second day of a recent training, we built a little combo that included this move, the passe rock. In this video, you can see how I explained the details as we all moved together. Once this piece was solid, we combined it with some other pieces—and made a looping sequence. I do my best to keep people moving as they learn something. Sure, sometimes I need to ask everyone to pause and watch to really capture the details—but I really love to find ways to teach sequences, inch by inch, while keeping people moving. This way you'll have time to let go of extra tension and follow your breath--rather than stress about remembering things.
I had just finished seven days of all-day teaching. After so much energy output, I always feel like I need to move for myself to recharge and reset. Becoming a couch vegetable does not work for me. I need foam roller time, floor time or nature time.
We were in a uniquely black dance studio and Ken put his camera on a tripod. We took turns doing some easy, full-song freestyles. He told me that the footage was super dark (which surprised me since the overhead lights were on), and that I was almost always in the far side of the frame (which is typical of me)
If I could gather everyone I know, and share one place with them, it would be the City Museum, St Louis, MO. I would take you there because it's a model for how art, play, learning, and challenge can convene in a single place. This place shows how the comforts and conveniences of our structures and systems have ruined our fitness and creativity. There are interactive exhibits of 50s nostalgia, a big ol' bug collection, a massive cave network, a tree climbing/crawling network, huge multi-story slides, urban archeology zones, epic contemporary sculptures, rooms that are self-playing instruments, human hamster tunnels and so much more. There is a circus school INSIDE where the kids get the chance to perform several times a day. At City Museum, the artists have run wild with what seems like little concern for 'safety' (I'm not talking about legitimate dangers, but the type of fear that conditions parents, leaders, and law enforcement to tell us not to climb, explore, and challenge convention). In no other museum have I laughed, sweated, cried, and used every possible primal pattern just to get around.
I want airports with open spaces and monkey bars, floor seating options in all restaurants and places like the city museum all over the world.
The best museum in the world hosts countless physical challenges. From climbing to crawling, and sliding to balance challenges, the City Museum, St Louis, MO is one of my favorite places in the entire world. Really. It is an interactive art exhibit/fantasy world with 50's memorabilia and insect collections. It's housed in a giant repurposed old building that forces you to explore numerous primal movement patterns just to get around. IT IS THE BEST.
I filmed a 30-minute "Intro to Flowbility™" class and some tips last week for Qinetic. The class is already up on their new app and it's F.R.E.E. Check it out here: https://appsto.re/us/R0aZ_.i
For the video seen here: I believe functional warm-ups can be creative and fun. Try the exercise seen on this tip. Remember to move slowly; try holding the most distant position for three full seconds then make a smooth transition to your next hand or foot placement.
Primal Squats
Squats are one of the most basic movements of the human body. Primal squats with the knees and ankles together regularly improve the state of my knees and ankles. This is because developing control at the end range of joints (especially in positions essential to the health of the human body) creates balanced flexibility (and more potential do to cool things). Here I paired this exercise with alternating back shoulder rolls...and a wee bit of musicality.
Pants by Flow Movement.
Squats are one of the most basic movements of the human body. Primal squats with the knees and ankles together regularly improve the state of my knees and ankles. This is because developing control at the end range of joints (especially in positions essential to the health of the human body) creates balanced flexibility (and more potential do to cool things). Here I paired this exercise with alternating back shoulder rolls...and a wee bit of musicality. Pants by Flow Movement.
Posted by Flow Movement on Tuesday, April 14, 2015
Iceland (March 2015)
All of the photos in this first slideshow were taken off the side of the road on the south coast. I started with my layers and snow boots on and gradually made it down to just fabric wrappings and undergarments. It was cold (to put it gently). The air blowing in my ears was probably worse then being barefoot in frozen sand. But... this was fun. So much emptiness makes you feel so small. I was just a tiny creature tossing things about. I am so proud of what Kenneth Kao was able to capture.
More Iceland, featuring a sneak peak of a Flow Movement scuba cuff pant. The Jacquard Cuff Pant is available now in the STORE.
It's always fun to stand on one leg on uneven rocks with freezing water all around. You find that balance no problem.
I saw the signs that said DANGER DO NOT CLIMB ON THE ICE after. whoopsie. Being a safe tourist is often lame anyway.
When one car passes every four minutes I happily stand in the road. The asphalt is super black in Iceland (made with lots of volcanic ash i presume).
Fresh air and powder puff snow.
happy.
Iceberg Sphinx.
I love to stretch it out in places I have to problem solve.
Iceberg Cobra!
Sometimes, when I lay on Icebergs...I work on my glutes.
Iceberg SPLITS.
How long do you have to sit on icebergs to freeze your ass off? Depends on the pants. I was a bit more concerned about sliding into the water.
Take that winter air--I'm having funnnn.
After a long drive and a stay in a country hotel we woke up...here. The area is very rural. There are no street lights (just the ones in the sky) and the closest village/town was a long drive away--we had no idea what the environment looked like until the morning. As you can see, the sky was was incredible and the thick tufted grass was both frozen and squishy.
The day after experiencing the mot insane blizzard I have ever encountered (visibility 0, face blasting 100), we sadly had to leave. These images were taken in a craggy lava field en route to the airport:
Costa Rica Puddle Play
I want to play in warm, soft sand puddles every day. Playa Samara, Costa Rica. #puravida