Dance

Six Days of Surrender

Six Days of Surrender

A few weeks ago I attended the Brazilian Zouk retreat in Sagunto, Spain, led by Xandy Liberato. I suspected, when I impulsively registered, that I was diving into the deep end. Generally, when you choose to work closely with a master/innovator of a form, you should know something, or a lot of something, before you show up. I didn’t know anything about Brazilian Zouk except the superficial qualities I’d ascertained from watching Youtube vids. Some were really swirly and free, and some were really crotch-grindy. I liked the swirly ones.

#SNOWFLOW

#SNOWFLOW

It's winter here in the Northern Hemisphere. This means people don't spend as much time outside. But, regardless of season, being outside is an important part of avoiding the winter blues, a.k.a., "SAD" (seasonal affective disorder). You know how winter can be de-motivating and glum? You don't want to move because you're cold, or it's dark?

During daylight, GO OUTSIDE. I'm using all caps not to yell, but to state my enthusiasm over this incredibly simple principle that most of us have forgotten.

I find that a few minutes outside leaves me focused and de-stressed. My postural muscles wake up. As a result, I work more effectively when I go back inside. 

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Training at Luna Salada Hotel de Sal

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When you are in remote Bolivia, you either eat, spend time on the salt, or work it out in the hotel bar. I did lots of each....here are some moments form my training in the only room with a wood floor in an otherwise completely salt-made hotel.

Filmed at Luna Salada Hotel de Sal.

Featured
Catch This!
Catch This!

“I don’t do balls,” I used to say.

Like many other dancers I knew growing up, I formed an identity around being a dancer with no interest in activities involving balls, pucks, paddles, etc. (unless I was dancing with it).

In high school, I almost failed P.E. class because I flat-out refused to participate in any sports activity. As a result, in later years, whenever someone would throw me a ball I’d duck away rather than catch it, or if I did attempt a catch, it would be in a stiff and panicky state. It was embarrassing.

Ki’ilani (seen in the video) changed my relationship with catching. She loves balls more than anyone I’ve ever met. Every trip to a large store includes a visit to the sports aisle to feel balls. She even keeps a ball in her pocket for comfort tossing. One of our quarantine activities has been ‘dance catch.’

Learning Online
Learning Online

Have you ever bought any digital tutorials or courses? Or saved videos on Instagram, Facebook, or YouTube?
Chances are you grabbed them because wanted to remember and LEARN the material.

But, did work through them?

How has it been integrating what you learned into your dancing/living/teaching?

Or, are the videos collecting digital dust...waiting for you to give them a chance?

If you have gathered materials, especially if you PAID for those materials, but haven’t given them the attention you intended, how about getting out your calendar RIGHT NOW and booking yourself some self-learning time?

Cross Knee Swivel & Supine Sticky Foot Twists
Cross Knee Swivel & Supine Sticky Foot Twists
The Return of the FM YouTube Channel!
The Return of the FM YouTube Channel!
Free Spinal Wave Upgrade!
Free Spinal Wave Upgrade!
Why Attention to Contact is for Everyone
Why Attention to Contact is for Everyone

If you look at any beginner movement class, you'll see widely-varying degrees of bodily awareness. However, regardless of how someone moves, with a little bit of cueing, anyone can feel if they are in contact with the floor or not.

You don’t need skill or imagination to sense your contact with the floor. You may not be paying attention to it most of the time, but it doesn't require anatomical awareness to grasp what 'weight-bearing' is or to notice which of your parts have the most pressure.

Weight bearing is a constant thing (unless you are temporarily airborne, space traveling, or swimming, you are bearing weight, somehow).

Yet, the details of rolling contacts are rarely zeroed in on outside of higher-level movement environments. But...they could be.

Three Books That are Currently Inspiring My Teaching
Three Books That are Currently Inspiring My Teaching

The first is called ‘Bodyfulness’ by Boulder author Christine Caldwell. It’s swelling with information for or anyone who’s ready to look at the how and why of how they move. The author founded the Somatic Counseling program at Naropa University and has been in practice for more than thirty years.

She says:

“The body isn’t a thing we have but an experience we are. Bodyfulness is about working toward our potential as a whole human animal that breathes as well as thinks, moves as well as sits still, takes action as well as considers, and exists not because it thinks but because it dances, stretches, bounces, gazes, focuses, and attunes to others.“

Less Choreography, More Dance
Less Choreography, More Dance

Have you been to a dance class that was supposed to be beginner-appropriate or all-levels, but the class progressed in a way that made you want to disappear?

Maybe you had fun the first few minutes when the sequence was short, but then the instructor moved on, and on, and on. With rapidly dwindling confidence, you were left stumbling in the wake of an ever-growing sequence. Perhaps physically you could have done it all, but you needed more time to really 'get it'. It was just too much to remember.

I've been there. In classes and in auditions, I've been there.

You can only stumble around, a count behind everyone else, for so long before you want to shrivel into the corner and become unseen.

When you’re new to a style or form (or even just with a new teacher), learning a lengthy complex piece of choreography (maybe alongside people much younger or more skilled than you) is daunting and often
disheartening. Based on what I've observed, the amount of choreography delivered in many dance classes leaves a LOT of people behind.

In my opinion, if you are still trying to remember the choreo during the last minutes of class, you're missing out on the joy of dancing, the part where the movement starts to carry you and you can transcend who you were when you arrived.

My message is this:

Pumpkin Flow Giveaway
Pumpkin Flow Giveaway

Pumpkin Flow Giveaway:

If you flow with a gourd of your choice between now and Nov 5, I’ll send you a code for $5 off any event or video. 

How:

  1. Get busy with you pumpkin and catch it on video.

  2. Post at least 15 seconds on FB or IG and tag #pumpkinflow and @flowmovement 

  3. Send us a message on either platform with the link to your video and we will send you your discount code. 

The Group Fitness Class Experience
The Group Fitness Class Experience

Yesterday, I witnessed a group movement experience that I was SO glad I was not a part of.

After a month away and a week of living the truck driver life, I got a month-long pass to a nearby gym. It’s primarily a rock-climbing gym, but they have a weight room upstairs.

This particular gym runs some group conditioning classes inside of the weight room. While I was gleefully doing irreverent things on the back extension bench, a voice came over the loudspeaker letting everyone know that “Body Blast with Mr. Blasty Blast” [ok, not his real name] was starting soon. I thought, “Oh nice, I’ll get to see if I would ever want to join the class.” Consensus:

OH NO, I WILL NOT FUCKING EVER. (Unless you pay me. I’d consider it if money were involved.)

Continuous Shoulder Pivots

Overhead view of continuous shoulder pivots. This technique is seen in contemporary dance and martial arts under a few different names. I love this movement because the head, arms, pelvis, legs and breath all play a constantly dynamic role. When one body part lags, the fluidity is lost.

Featured
Catch This!
Catch This!

“I don’t do balls,” I used to say.

Like many other dancers I knew growing up, I formed an identity around being a dancer with no interest in activities involving balls, pucks, paddles, etc. (unless I was dancing with it).

In high school, I almost failed P.E. class because I flat-out refused to participate in any sports activity. As a result, in later years, whenever someone would throw me a ball I’d duck away rather than catch it, or if I did attempt a catch, it would be in a stiff and panicky state. It was embarrassing.

Ki’ilani (seen in the video) changed my relationship with catching. She loves balls more than anyone I’ve ever met. Every trip to a large store includes a visit to the sports aisle to feel balls. She even keeps a ball in her pocket for comfort tossing. One of our quarantine activities has been ‘dance catch.’

Learning Online
Learning Online

Have you ever bought any digital tutorials or courses? Or saved videos on Instagram, Facebook, or YouTube?
Chances are you grabbed them because wanted to remember and LEARN the material.

But, did work through them?

How has it been integrating what you learned into your dancing/living/teaching?

Or, are the videos collecting digital dust...waiting for you to give them a chance?

If you have gathered materials, especially if you PAID for those materials, but haven’t given them the attention you intended, how about getting out your calendar RIGHT NOW and booking yourself some self-learning time?

Cross Knee Swivel & Supine Sticky Foot Twists
Cross Knee Swivel & Supine Sticky Foot Twists
The Return of the FM YouTube Channel!
The Return of the FM YouTube Channel!
Free Spinal Wave Upgrade!
Free Spinal Wave Upgrade!
Why Attention to Contact is for Everyone
Why Attention to Contact is for Everyone

If you look at any beginner movement class, you'll see widely-varying degrees of bodily awareness. However, regardless of how someone moves, with a little bit of cueing, anyone can feel if they are in contact with the floor or not.

You don’t need skill or imagination to sense your contact with the floor. You may not be paying attention to it most of the time, but it doesn't require anatomical awareness to grasp what 'weight-bearing' is or to notice which of your parts have the most pressure.

Weight bearing is a constant thing (unless you are temporarily airborne, space traveling, or swimming, you are bearing weight, somehow).

Yet, the details of rolling contacts are rarely zeroed in on outside of higher-level movement environments. But...they could be.

Three Books That are Currently Inspiring My Teaching
Three Books That are Currently Inspiring My Teaching

The first is called ‘Bodyfulness’ by Boulder author Christine Caldwell. It’s swelling with information for or anyone who’s ready to look at the how and why of how they move. The author founded the Somatic Counseling program at Naropa University and has been in practice for more than thirty years.

She says:

“The body isn’t a thing we have but an experience we are. Bodyfulness is about working toward our potential as a whole human animal that breathes as well as thinks, moves as well as sits still, takes action as well as considers, and exists not because it thinks but because it dances, stretches, bounces, gazes, focuses, and attunes to others.“

Less Choreography, More Dance
Less Choreography, More Dance

Have you been to a dance class that was supposed to be beginner-appropriate or all-levels, but the class progressed in a way that made you want to disappear?

Maybe you had fun the first few minutes when the sequence was short, but then the instructor moved on, and on, and on. With rapidly dwindling confidence, you were left stumbling in the wake of an ever-growing sequence. Perhaps physically you could have done it all, but you needed more time to really 'get it'. It was just too much to remember.

I've been there. In classes and in auditions, I've been there.

You can only stumble around, a count behind everyone else, for so long before you want to shrivel into the corner and become unseen.

When you’re new to a style or form (or even just with a new teacher), learning a lengthy complex piece of choreography (maybe alongside people much younger or more skilled than you) is daunting and often
disheartening. Based on what I've observed, the amount of choreography delivered in many dance classes leaves a LOT of people behind.

In my opinion, if you are still trying to remember the choreo during the last minutes of class, you're missing out on the joy of dancing, the part where the movement starts to carry you and you can transcend who you were when you arrived.

My message is this:

Pumpkin Flow Giveaway
Pumpkin Flow Giveaway

Pumpkin Flow Giveaway:

If you flow with a gourd of your choice between now and Nov 5, I’ll send you a code for $5 off any event or video. 

How:

  1. Get busy with you pumpkin and catch it on video.

  2. Post at least 15 seconds on FB or IG and tag #pumpkinflow and @flowmovement 

  3. Send us a message on either platform with the link to your video and we will send you your discount code. 

The Group Fitness Class Experience
The Group Fitness Class Experience

Yesterday, I witnessed a group movement experience that I was SO glad I was not a part of.

After a month away and a week of living the truck driver life, I got a month-long pass to a nearby gym. It’s primarily a rock-climbing gym, but they have a weight room upstairs.

This particular gym runs some group conditioning classes inside of the weight room. While I was gleefully doing irreverent things on the back extension bench, a voice came over the loudspeaker letting everyone know that “Body Blast with Mr. Blasty Blast” [ok, not his real name] was starting soon. I thought, “Oh nice, I’ll get to see if I would ever want to join the class.” Consensus:

OH NO, I WILL NOT FUCKING EVER. (Unless you pay me. I’d consider it if money were involved.)

,

The Galang Crew

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Look! The super dope and charitable Galang Crew of Sweden is wearing matching tribal Flow pants for their latest video. I love their grooves and their cause...check it out! 

Use the Code GALANGCREW for 20% off apparel and a portion of all proceeds will support the SOS Children's Project in Tambacounda, Senegal, a project close the Galang Crew's heart, and part of the group's #dancersagainstracism. 

"Dance and music is universal and can link people together regardless of colour and race; when I dance I'm at my best.  Its' my biggest love and the passion for it drives me through life no matter what I'm going through."
-Sara Galan

About GALANG CREW: 
The Galang Crew is a crew with a focus on Dancehall/Hip Hop/Afrobeats.  The dancers' styles range from hip hop, modern, jazz, and were all hand-selected by founder and choreographer, Sara Galan, to blend together to a colorful mix of energetic dancers spreading love and anti-racism messages through dance.

Sara Galan is a multi-styled dancer who has trained in New York, Europe, and Africa in dancehall, hip hop, house, and African traditional style including Sabar (Senegal) and djembe (Guinee Conakry).  She is best known for her variety in Afrobeat styles such as Ndombolo, coupe decale, Azonto, and Kuduro Angolano.  Galan was recently nominated as Artist of the Year 2015 at The African Diaspora Awards.  In March 2015, Galang Crew Afrobeat videos featuring the songs "Hold Me Now" and "Ukwa" by Nigerian artist, Timaya, went viral.

Galan is also the founder of #DancersAgainstRacism, launched in 2014, to raise a voice against racism.  Now in its second year, dancers and non-dancers all over the world participate in the movement via use of the hashtag and  by participating in Galan's donation-based workshops to support different organizations she has hand-picked.

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Flow Movement Apparel

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Playing in the park while frequently changing pants. Griffith Park, LA.

Music by Nina Simone, "Sinnerman" (Felix Da Housecat's Heavenly House Mix)
Filmed by Kenneth Kao.